Fashion illustration, Fashion illustrations Info

Fashion Illustration

Fashion Illustration is an artwork, pictures, and other performs of art which have relation to the Fashion market. Fashion Illustration can perform in a wide range of conditions, such as fashion brands, style companies, and as self employed, and the perform can be quite different and exciting, especially in the case of people who are very experienced. Are employed this area usually needs a level from an art or fashion university, along with comprehensive experience in the market.

One of the most traditional tasks for a way Fashion Illustration is in the illustrating of thoughts which have not yet been recognized. When developers start to make a new range, they depend on fashion illustrator to carry their thoughts to life so that they can have pictures to use in style and to offer the range before prototypes have been made. A Fashion Illustration may perform on everything from sneakers to less difficult, creating and fleshing out thoughts for developers.

Fashion Illustration can also make styles which can be used in the of prototypes and apparel on the range. Many Fashion Illustration, for example, perform for organizations which make regular sewing styles. The fashion illustrator attracts the apparel and the guidelines for their progression so that home sewers and seamstresses have an idea of what the clothing should look like when it is completed.

Fashion Illustration can also perform on ad activities and other tasks in which fashion illustration is preferred. Using artwork, artwork, and pictures can make a amazing impact which some organizations discover very effective in the marketing of their items, and this strategy also reduces the need to generate prototypes, discover versions, and carry photography periods. This can be an benefits when brands are still in progression, or when a company is too small to shell out intensely in generation before it has purchases for its items.

Skilled fashion illustration need to stay on top of market styles, and be able to estimate growing styles popular. Moreover to generating pictures for particular tasks, they may also make more common collection items to use in classes of growing styles, and to give developers thoughts for perform which may entice interest from the community.

Technical abilities in Fashion Illustration and artwork are also crucial for fashion illustrators. It is necessary to be able to take the soul of a style along with its accurate wrinkles, look, and sizing, and to be able to play with percentage and other factors of art to experience a preferred look. Having a common feeling of shade, appearance, and picture characteristics is also important for a way illustrator, whether one is working on a design pad or in a software.

Beauty Schools in Hongkong

Beauty Schools in Hongkong

Josephine Beauty School

Hong Kong (map)

Tel: (852) 25764567



International Cosmetology Training Institute

Contact Person: Mr. Andy Lau C.W.

Phone: 852-3116-8778

Fax: 852-3119-1771


Address: 6/F., Nan Sing Building, 727 Nathan Road, Mongkok, Kowloon Hong Kong, China

International Spa and Beauty College

Tel Ph:852-2526-8818 /Direct

Line:852-2526-8909 /Fax: 852-2526-8108

Founder/Principal; Ranjeet Kour

Unit 801-805, 8th Floor, Miramar Tower, 132-134 Nathan Road

TST, KLN, Hong Kong, China

Bee Hong Kong Unisex Saloon School of Hair & Beauty

Beauty Category(s) : Beauty, Beauty Care, Beauty Course, Beauty School, Beauty Treatment, Enrichment, Face Threading, Hair Toupee, Hair Wigs, Halal Cosmetics, Make Up Course, Make Up School, Spa Treatment

Address : HDB MacPherson Gardens 37 Circuit Road #01-399, Singapore 370037 (Macpherson)


Established by Professor Cheng Ming Ming in 1966, CMM Monita Hair & Beauty Academy has undergone development for over 30 years. It has now grown into a top professional hair & beauty college in Asia. The college aims to promote the hair and beauty education industry, and to train up high level and internationally recognized professional experts.

CMM Monita Hair & Beauty Academy Address:Unit 801 – 805, Miramar Tower, 132 – 134 Nathan Rd, TST, Kln, HK Tel:(852) 2739 – 8833 Fax:(852) 2735 – 7707


Spark People Diet, Spark People Recipes, Spark People Recipe

Spark People Diet | Spark People is a free, online program that is growing in popularity. It emphasizes healthy eating habits, peer support and exercise. Visitors can connect with like-minded people, customize a menu plan and exercise plan, record their food and water intake or read uplifting and informational articles to help them on the road to good health.

SparkPeople suggests eating three meals and two healthy snacks (or four to five small meals each day) rather than just two or three big meals.
Spark People Recipes | Spark People Recipe

A healthy snack consists of the right balance of protein, carbs, fiber and nutrients with very little salt, sugar or fat. Consuming high-carbohydrate snacks without protein can cause an uncomfortable spike in blood sugar. Aim for snacks that contain 100 calories or less. A few minutes each week spent in preparation will ensure you always have healthful snacks readily available. Here is a listing of 14 great snack ideas:
1. Pizza: Spread some spaghetti sauce on a whole-wheat english muffin, top with veggies and low-fat mozzarella, then broil.

2. Peanut butter, hummus, spreadable cheese: A tablespoon of peanut butter spread on whole wheat crackers, celery, apples, sprouted grain or whole wheat bread, rice cake, or an all-bran muffin. A four-tablespoon serving of hummus or a wedge of low-fat spreadable cheese is a delectable substitute for the peanut butter.

3. Chocolate milkshake: That’s right! To the blender, add 1 cup ice, 1 cup skim milk, 2 egg whites, 2 tbsp. cocoa powder, 1/2 tsp. vanilla, and two packets of Truvia. Blend until smooth.

4. Lettuce wrap: Spread a romaine lettuce leaf with tuna or chicken salad (made with light mayo), or deli sliced chicken, turkey or low-fat cheese, a little low-fat honey mustard, and your favorite sliced or chopped vegetables.

5. Soup: This comes in convenient single-serving containers, or make your own ahead of time. Watch out for high-calorie varieties.

6. Vegetables and dip: To 16 oz. nonfat sour cream, add a packet of most any seasoning mix. Enjoy with your favorite veggies: zucchini, celery, cucumbers, cherry tomatoes, broccoli, cauliflower, carrots, bell peppers, etc..
7. Nonfat cottage cheese: Top ½ cup nonfat cottage cheese with ½ cup lite canned (or fresh) fruit or fresh tomato.

8. Low-fat, no sugar added yogurt: By itself or add some nuts or fresh fruit.

9. Granola bars: The new generation of granola bars offer more flavor, nutrition and variety than ever before, even chocolate. Chocoholics rejoice!

10. Edamame: Soy beans are served as an appetizer in Japanese restaurants or you can buy them at the store and steam them yourself. They’re delicious warm or cold.

11. Protein source and fruit: Hardboiled eggs, a handful of raw almonds or cold roast chicken breast together with a piece of fresh fruit.

12. Trail mix: Avoid the kind with candies, and eat in moderation.

13. High-protein, high-fiber cereal: Serve with 1/2 c. skim milk.

14. Smoothie: Blend a low-carb fruit, egg whites or protein powder, milk or water, ice, and no-calorie sweetener.
Benefits of Spark People

The program focuses on the basic guidelines of the Food Pyramid
Dieters do not have to severely limit their food or caloric intake
Dieters should be able to comfortably and conveniently adhere to the meal planning and nutritional principals of the diet
Dieters have easy access to the tools and resources of the Spark People program through the online website
The cost of Spark People is relatively low when compared with other programs
Spark People is based on comprehensive and traditional beliefs about healthy eating and exercise.

Leather Stamping Patterns, Designs, Tools, Camouflage, Pear Shader, Shell Tool, Beveler

Leather Stamping | Leather Stamping Patterns | Leather Stamping Designs

Leather stamping involves the use of shaped implements (stamps) to create an imprint onto a leather surface, often by striking the stamps with a mallet.

Commercial stamps are available in various designs, typically geometric or representative of animals. Most stamping is performed on vegetable tanned leather that has been dampened with water, as the water makes the leather softer and able to be compressed by the design being pressed or stamped into it. After the leather has been stamped, the design stays on the leather as it dries out, but it can fade if the leather becomes wet and is flexed. To make the impressions last longer, the leather is conditioned with oils and fats to make it water-proof and prevent the fibers from deforming.
Leather Stamping Tools
Camouflage tool

This tool, which creates an impression similar to that of a sea shell, is used to add emphasis to areas of a carving, often in the stem or down the centre of a leaf in a floral design. It is used in a similar way to other stamping tools, by holding it vertically over the leather and striking with the rawhide mallet. When using the Camouflage tool, the impressions created should be equally spaced, starting from the centre of the design and working out towards the tips of the stems or leaves in the design. The impressions should get progressively lighter.
Pear Shader

The Pear shader is used to press down areas of the design that need to appear curved. The action of the pear shader causes the leather tooled by it to appear slightly darker. The pear shader is slightly unusual in that it may be tilted during use to provide the desired effect. It should be moved only slightly between each tap with the mallet so that it creates a consistent shading of the leather.
Veiner Tool | Shell Tool

These tools create a curved impression of a series of short, closely spaced lines. They may be used interchangeably, the only difference being that the veiner creates a simple curved line, while the shell tool has a pattern resembling the edge of a scallop along the inside edge. They are used to continue to create the impression of depth created by the beveler, and to create the impression of a curved surface. These tools are used in the usual way, but like the pear shader, may also be tilted to help create the impression of depth where they are used beside a cut.

The seeder creates a small circular impression, that is used to represent seeds. As the face of this tool is so small, care must be taken when striking that you do not cut right through the leather. If stamping an area using this tool, stamp around the outside first, then fill in the centre.
Background tool

This step in producing a carved leather article is used to emphasise the design, and is not even necessary in some cases. It consists of the pushing down of any areas of leather that have not been already carved. The background tool has a crosshatched pattern on its head, which has the effect of significantly darkening the leather it is used on. As with the seeder, the face of this tool is often small, so care must be taken not to strike it too hard.

When using this tool, take care that the impressions created by it do not overlap, and also take care not to stamp into the design or over the border. When the entire face of the tool is not needed, or to create tidy corners, the tool can be tilted so only part of the face creates an impression.

This tool is used to create an indention on one side of a cut so that one side is raised. This tool, when used correctly, can produce very realistic results. There are many variations of this tool that include a variety of shapes, such as diamonds or ovals. There is also a variety of faces that include striped, checked, rounded,smoothed, and crosshatched.

Tasks of Drawframe

Tasks of Drawframe / Drawing Frame / Draw Frame Machine

1) Through doubling the slivers are made even

2) Doubling results in homogenization(blending)

3) Through draft fibres get parallelised

4) Hooks created in the card are straightened

5) Through the suction ,intensive dust removal is achieved

6) Autoleveller maintains absolute sliver fineness

Quality of the drawframe sliver determines the yarn quality.

Drawing is the final process of quality improvement in the spinning mill

Drafting is the process of elongating a strand of fibres, with the intention of orienting the fibres in the direction of the strand and reducing its linear density.In a roller drafting system, the strand is passed throgh a series of sets of rollers, each successive set rotating at a surface velocity greater than that of the previous set.

During drafting, the fibres must be moved relative to each other as uniformly as possible by overcoming the the cohesive friction. Uniformity implies in this context that all fibres are controllably rearranged with a shift relative to each other equal to the degree of draft.

In drawframe, the rollers are so rotated that their peripheral speed in the throughflow direction increases from roller pair to roller pair, then the drawing part of the fibres, i.e.the draft, takes place. Draft is defined as the ratio of the delivered length to the feed length or the ratio of the corresponding peripheral speeds.

Drawing apart of the fibres is effected by fibres being carried along with the roller surfaces. For this to occur, the fibres must move with the peripheral speed of hte rollers. This transfer of the roller speed to the fibres represents one of the problems of drafting operation. The transfer can be effected only by friction, but the fibre strand is fairly thick and only its outer layers have contact with the rollers, and furthermore various, non-constant forces act on the fibres.

Roller drafting adds irregularities in the strand.Lamb states that,though an irregularity causing mechanism does exist in drafting, drafting also actually reduced the strand irregularities by breaking down the fibre groups. Drafting is accompanied by doubling on the drawframe, this offsets the added irregularity.

Two passages of drawing with eight ends creeled each time would produce a single sliver consisting of 64 ribbons of fibre in close contact with each other.In the ultimate product, each ribbon may be only a few fibres thick, and thus the materials of the input slivers are dispersed by the drawing process. The term doubling is also used to describe this aspect of drawing

Drafting Arrangement is the heart of the Drawframe. The Drafting Arrangement should be


Stable design with smooth running of rollers

Able to run at higher speeds and produce high quality product

Flexible i.e suitable to process different materials , fibre lenths and sliver hanks

Able to have good fibre control easy to adjust

Roller Drafting causes irregularities in the drafted strand since there is incomplete control of the motion of each individual fibre or fibre group.
The Uniformity of the Drafted Strand in Drawing frames is determined by

Draft ratio

Roller settings

Material characteristics

Pressure exerted by the top roller

Hardness of top roller

Fluting of the bottom rollers

Distribution of draft between the various drafting stages

Drafting is Affected by the following Rawmaterial Factors

No of fibres in the cross section

Fibre fineness

Degree of parellelisation of the fibres

Compactness of the fibre strand

Fibre cohesion which depends on surface structure, crimp, lubrication, compression of the strand, fibre length, twist in the fibre, distribution of fibre length

3-over-3 roller drafting arrangements with pressure bar is widely used in the modern drawframes Bigger front rollers are stable and operated at lower speeds of revolution, this necessitated pressure bar arrangement for better control of fibres. Some drawframes are with 4-over-3 drafting arrangement, but strictly speaking it behaves like a 3-over-3 drafting system except for the fact that fourth roller helps to guide the sliver directly into the delivery trumpet.

Drafting Wave:

Floating fibres are subject to two sets of forces acting in opposite directions. The more number of fibres which are moving slowly because of the contact with the back rollers restrain the floating fibres from accelerating. The long fibres in contact with the front rollers tend to accelerate the floating fibres to the higher speed. As the floating fibres move away from the back roller, the restraining force by back roller held fibres reduces, and the front roller influence increases.

At some balance point, a fibre accelerates suddenly from low to high speed. This balance point is compounded by the laws of friction, static friction being higher than dynamic friction.When one floating fibre accelerates, the neighbouring short fibres suddenly feel one more element tending to accelerate them and one fewer trying to restrain them. Thus there may be an avalanche effect which results in drafting wave.

Lapis Lazuli Properties, Healing, Magical, MetaPhysical

Lapis Lazuli Properties

Lapis Lazuli is used with other stones when parts of the body need to be purified and cleansed and should be used by a healer. Lapis Lazuli Properties include high intensity and can open many of the chakra centers. This must be done only with love in the heart and comprehension in the mind and wisdom in soul. The stone is said to increase psychic abilities. It include eliminating negative emotions. Lapis is said to be a cure for melancholy and for certain types of fever. It relieves sore throat pain.

Lapis Lazuli Properties include traditionally believed to increase mental clarity, virility, and calm. Lapis Lazuli is energy focuser for teachers, lecturers and speakers. It include successfully enhancing creative self-expression. It is believed to be useful in relieving depression and promoting spirituality.

Lapis Lazuli Stone is also powerful during meditation. Wearing a Lapis Lazuli ring can help someone to become a channel. The ancient Egyptians used Lapis Lazuli as a symbol of Truth. For people around the world, lapis lazuli is considered a stone of truth and friendship. The blue stone is reputed to promote harmony in relationships.

Lapis Lazuli Stone can easily be scratched or chipped. Water can dissolve the stone`s protective coatings. Hence lapis lazuli jewelry should be cleaned with a soft dry cloth. Lapis lazuli has been widely used as a semiprecious stone throughout history. It is most often seen as a necklace of beads or carved pendants.

Fine natural Lapis Lazuli can be rather pricey. Jewelry with the high quality stones with no calcite or pyrite veins can be quite expensive. Much of the jewelry that is sold as Lapis is artificially colored jasper from Germany that shows colorless specks of clear, crystallized quartz and never the gold like flecks of pyrite.

Linear Programming in Textiles

Linear Programming

Linear programming is a quantitative tool for optimal allocation of limited resources amongst competing activities. It is perhaps the most popular amongst OPERATIONS RESEARCH techniques and has found application in several functional areas of business- production, finance, marketing, distribution, advertising and so forth.

Any resource allocation problem is characterised by specification of an objective such as minimising cost, or maximising profit. The constraints can be of a financial, technological, marketing or anyother nature

Linear programming involves formulating the problem in linear terms and solving it to provide a plan for deploying the resources in an optimal manner.

This technique is being used by many managements to maximise the profit or to minimise the cost. In earlier days, fomulating a linear programming model and solving the same was a tedious process.

Product Mix Using LP For A Spinning Mill

Let us assume C1,C2,C3 and C4 are quantities of four counts to be produced in cotton TC1,TC2 and TC3 are quantities of three counts to be prodced in Poly/Cotton blend.

CX1,CX2,CX3 and CX4 are Contribution in US$/KG for four cotton counts.
TCX1,TCX2 and TCX3 are contribution IN US$/KG for three POLY/COTTON counts correspondigly

How To Formulate A LP Model: Example

(C1*CX1)+(C2*CX2)+(C3*CX3)+(C4*CX4)+(TC1*TCX1)+(TC2*TCX2)+(TC3*TCX3) = CONTBN. MAXIMUM


C1+C2+C3+C4 less than or equal to 180 tons
TC1+TC2 less than or equal to 100 tons
C1 should be 19.6 tons ( committed to the customer)
TC2 more than 19.6 tons ( committed to the customer)
C1+C2+C3+C4 no of m/cs allotted should not be more than 20 (m/c constraint)
TC1+TC2+TC3 no of m/cs allotted should not be more than 10 (m/c constraint)
C1 less than or equal to 20
C2 less than or equal to 20
C3 less than or equal to 20
C4 less than or equal to 20
TC1 less than or equal to 10
TC2 less than or equal to 10
TC3 less than or equal to 10

How To Solve This:

Microsoft Excell Spreadsheet has a tool called SOLVER. This can be used to solve any Linear and Non-Linear Equations.

Open an Excel Sheet

Feed the Parameters in the Excell Sheet

Select Solver in the Tools Menu, Now Solver parameters are seen

Set the Target cell and it should contain the target function

Feed the range of cells to be changed

Feed the constraints

Press Solve, The Results are Already There

Cotton Plants and Types of Cotton Species

Cotton Plants and Types of Cotton Species

Cotton is produced by small cotton trees and cotton shrubs belonging to the mallow family, which also includes cotton hibiscus, okra, and the swamp mallow.

The immature cotton flower bud, called a cotton square, blossoms and develops into an oval boll that splits open at maturity, revealing a mass of long white seed hairs, called lint, that cover a large number of brown or black seeds. When fully mature and dry, each of these hairs is a thin flattened tubular cell with a pronounced spiral twist and is attached to a seed. The length of the individual fibers ranges from 1.3 to 6 cm (0.5 to 2.5 in). Shorter fibers that grow from the seeds are called cotton linters.

A few Cotton Species are grown commercially. These range from a small tree of Asia, to the common American Upland cotton, a low, multibranched shrub that is grown as an annual.

Another cotton species includes the long-fiber Egyptian and Sea Island cottons botanically derived from the Egyptian species brought to the United States about 1900.
Sea Island Cotton

Sea island Cotton thrives in the unique climate of the Sea Islands, located off the southeastern coast of the United States, and on the islands of the West Indies such as Barbados.

Egyptian Cotton

As with Egyptian cotton, the fiber is white and lustrous but its fiber length is longer than that of any other type of cotton, which permits the spinning of extremely fine yarns.
Pima or American-Egyptian Cotton

Pima, originally called American-Egyptian cotton, is a hybrid type. It is the only variety of long-fiber cotton now grown in commercially significant quantities in the United States, where it is cultivated under irrigation in the Southwest. Genetically modified cotton seeds have also been introduced, resulting in greater yields.
Upland Cotton

In the U.S. there are fourteen major cotton growing states that produce Upland cotton. They are Alabama, Arizona, Arkansas, California, Georgia, Louisiana, Mississippi, Missouri, North Carolina, Oklahoma, South Carolina, Tennessee, Texas and Virginia. Some cotton is also grown in Florida, Kansas and New Mexico. American Pima cotton is grown in Arizona, California, New Mexico and Texas. All of these states form a region in the United States known as the Cotton Belt and have three things in common, lots of sunshine, water and fertile soil, very important to growing a good cotton crop.

Upland cotton being the most common type in the U.S. has a staple length (length of fiber) of 13/16 to 1 ¼ inches. The American Pima has a staple length of 1 5/16 to 1 ½ inches. These cotton plant types grow and mature at different rates and lengths of time, but basically mature within a 30 day period of each other.

Cotton plants have a general time frame in which they grow and produce after planting (introducing the seed to moist soil). With ideal conditions, the planted cotton seed will germinate (to begin to grow) or sprout and emerge in about five to ten days. The first 2 cotton leaf that are visible on the young cotton plant are seedling leaves called cotyledons (cot-a-lee-dons). They are useful for absorbing sunlight into the plant. The sunlight is then converted through a process known as photosynthesis, into nourishing carbohydrates that will help the plant grow.

In about two to four weeks they turn over the photosynthetic task to true leaves ( cotton leaf produced subsequent to the cotyledons) which continue the feeding process for the duration of the plants life. The plant continues to grow, adding cotton leaf and height, and in approximately five to seven weeks, small cotton flower buds called cotton squares (a small flower bud covered with fringed leaf-like parts called bracts) will appear on the cotton plant. As this square develops, the bud swells and begins to push through the bracts until it opens into an attractive Cotton flower. Within three days, the flower will pollinate (the transfer of pollen from the anther to the stigma of the same or another flower) itself, change from a creamy white or yellow color to a pinkish red, and then wither and fall, exposing a small, green, immature cotton boll (a segmented pod containing 32 immature seeds from which the cotton fibers will grow). This boll is considered a fruit because it contains seeds. As the fibers continue to grow and thicken within the segmented boll, it enlarges until it becomes approximately the size of a small fig. Now, the cotton fibers have become mature and thickened with their primary growth substance, cellulose (a carbohydrate, the chief component of the cell wall in most plants). An average cotton boll will contain nearly 500,000 fibers of cotton and each plant may bear up to 100 cotton bolls.

In about 140 days after planting or 45 days after cotton bolls appear, the cotton boll will begin to naturally split open along the bolls segments or carpels and dry out, exposing the underlying cotton segments called locks. These dried carpels are known as the cotton burr, and it’s the bur that will hold the locks of cotton in place when fully dried and fluffed, ready for cotton picking.

The cotton growth cycle of the various cotton species vary in length, but the sequence of cotton fruit production remain the same. Weather, insects and moisture can adversely affect optimum conditions for plant growth and it is the farmer’s responsibility to adjust to these conditions to optimize yield.

Lyocell Fabric and Clothing Overview

Lyocell Fabric

Lyocell Fabric is starting to find uses in the nonwovens industry.

Lyocell Fabric has all the advantages of rayon, and in many respects is superior. Lyocel Fabric has high strength in both dry and wet states, high absorbency, and can fibrillate under certain conditions. In addition, Lyocell Fabric with closed-loop manufacturing process is far more environmentally friendly than that used to manufacture rayon, although it is also more costly.

Lyocell fabric is most know better by its brand name Tencel. It has a soft finish, packs light and is made from cellulose (vegetable matter), or wood pulp. Tencel® branded lyocell is made from eucalyptus trees. This Lyocell fabric is noted for its durability and strength, in addition to its eco-friendly manufacturing techniques.

Lyocell fabric is made by chipping wood, breaking down the wood fibers with the non-toxic chemical amine oxide, and then placing the material in a spinneret. The spinneret produces long fibers, which are then dried and woven into cloth.

Some lyocell fabric looks like denim material, while others approximate the look of suede, usually called moleskin or peach skin. Lyocell can also be made to look like wool, cotton, rayon or poly/silk blends. Garments made of lyocell can be more expensive than other manufactured fabrics such as rayon, not only because of manufacturing, but because only one company distributes the fabric in the US.

Those who enjoy lyocell say the extra expense is worth it. The lyocell fabric is extremely durable, and is perfect for vacationing. It tends not to wrinkle and many forms of it are easy care, and can be machine-washed.

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